Melvins - With Yo' Heart, Not Yo' Hand

 

Label: Sympathy For The Record Industry

Year: 1990

Notice a trend of "M" bands being posted? Is it possible I reached into 7" #4 (Meices [spoiler alert...they may be posted next] to Shadow Season currently...but just ordered more boxes to space out records that were too crowded to flip through) and grabbed a handful of records to digitize? Was there something more nefarious at work?!

Regardless of how it got here, now it's here. Three songs from Melvins (I really wish they were more prolific, don't you?), one of which is a Malfunkshun cover. One is the kind of Melvins song you want to hear, a big, warm, fuzzy, sludgy bruiser. And one if the kind of Melvins song that drives you nuts, a repetitive noise throw away. Those are always "funny" aren't they? Ha, ha, you like our band and spent money on our record, so here's a joke song where I just repeat "Anal Satan" over a broken drum beat loop. Thanks Melvins!

I notice there is one slight jump on side B, but that's the record I have. It's a millisecond little skip and will not negatively affect your enjoyment of the music. But it's a 30 year old record...so give me a break. Sympathy for The Record Industry pressed this thing on like, ten different colors of vinyl, and a couple label variants...so they got their money's worth.

DL

Morsel / Cigarhead - Morsel / Cigarhead split

 

Label: Simple Solutions

Year: 1995

Speaking of bands who put out records on Choke Inc., and start with the letter "M", let's listen to a little Morsel. The Ann Arbor, MI band certainly fit into the noisy cadre of the Choke Inc. roster, with their rumbling bass and punching riffs. They could have also fit in well on Reproductive Records alongside Spore, Milkmoney, and Slughog. You only get one song on this split, but it's a great one. You get a good sense of how big their dynamics aimed, and how they could take a melody and bury under six feet of dread. The singer also played flute, and would sing on stage into her flute blow hole, run through a Leslie cabinet to give the vocals a warped screech (not very screechy on this song though). 

On the flip side we visit with Cigarhead. I know far less about the band, and as far as I know they only released two split 7"s...so, not exactly prolific. They were from Dayton, OH, which I can only assume means they were buddies with Dirk from Doghouse (Stronghold represent!). The drummer would later play in Enon and Holy Fuck, and prior to Cigarhead the folks were in a band called Sunken Giraffe, which also spawned Brainiac. You can hear a bit of that Brainiac mania in Cigarhead, but they play it more straight. Relatively so anyway. It's still more abrasive than is typically appreciated in mixed company. Not to cast aspersions on how hard you party or whatever, but...you know.

DL

Milkmine - Super M

 

Label: Choke Inc.

Year: 1993

Been watching any news lately? Anything going on I should be aware of?

Well, if not, how about some music to occupy your mind and help you into the forthcoming weekend? How about this two song 'lil slab from the incomparable Milkmine on the unfuckable-with Choke Inc label? It's good. I promise. Maybe the best Cincinnati noise rock ever? Maybe?

Three dudes, two of which play bass, zero guitars. So, I think you would be excused to hear a Godheadsilo "sound" in these two songs, but you'll also hear the DNA of Rapeman and Flipper in the single minded, head down, deliberate charge that Milkmine utilizes. 

Hey, but seriously, if there's anything important going on in the news that I should be aware of, please let me know. Ok? Thanks.

DL

White Shit - White Shi'ite

Label: Wantage USA
Year: 2010

Remember a few years back when dudes starting remembering a few years back and remembered their hardcore roots? You got a band like OFF! putting on an open casket funeral for Black Flag, and you got a band like White Shit ripping through blasted shards of broken glass.
Not that the guys in White Shit (or OFF! for that matter) ever denied their hardcore roots, or even necessarily left them behind, but this band was a blatant homage to the joy that comes with stripping down and wailing away. It never goes out of style.

The band is (was?) Coady Willis of Murder City Devils, Big Business, Melvins, and Dead Low Tide. Andy Coronado of Monorchid, Wrangler Brutes, Skull Kontrol, and Nazti Skinz (the riffs here sound a lot like a continuation of Wrangler Brutes if that helps), Jared Warren of Karp, Big Business, The Whip, Tight Bros From Way Back When, and Melvins, and Julian Peeke from Bipolar Bear and The Pope. Heavy hitters. Highly offensive graphics to give it a true "80's hardcore" steez, and one GISM cover thrown in to solidify their bona fides.

*originally posted 01.30.15, reposted 10.31.20

DL

Crust - Sacred Heart Of Crust

 

Label: Trance Syndicate
Year: 1990

Set the oven to "Fucked" and bake up another chilaquile layered with blues damage, warped honky tonk noise, industrial throb, and general raucous-n-roll. Sprinkle with mescaline prior to serving.

This is the record that started Trance Syndicate down a long and illustrious...and pockmarked, and dusty, and by all accounts unsafe...road. 

Crust would earn money by passing a collection tray at shows. Shows that praised the Sacred Heart of Crust, a debauched and  grotesque idol to noise. Beats the ole, "we have shirts for sale in the back" shtick. You'll hear the martial preaching theme run through this release, albeit preaching for that which is unholy and obscene. Church should be this fun.

If you've gotten this far in life without knowing what Crust sounds like, and find yourself on the fence as to whether or not this is a record you're prepared for, my best assessment would be: (old) Cop Shoot Cop mixed with Ed Hall mixed with a little bit of Feederz and a little bit of (old) Butthole Surfers. Unsanitary at best.

*originally posted 11.02.15, reposted 10.22.20

DL

The VSS - Nervous Circuits

 Label: Honey Bear

Year: 1997

For my money (currently under $70 at press time), The VSS were the only band to really pull off this particular strain of sub-sub-genre music. Or, at least the only one to do it and manage to create memorable songs, that is. 

They managed to take the spastic punk skitter of a band like Antioch Arrow (who had taken it from Circus Lupus), and marry it up with the icey industrial synth-damage of a band like Front 242 (or maybe it's more like the pre-punk dystopian synth-damage of Throbbing Gristle....or possibly it's more like the "Electronic Body Music" synth-damage of Kraftwerk...or maybe music is just a linear continuum of...synth-damage?), and come out the other end with an other-worldly mix that could agitate as easily as it could hypnotize.

This is their first full length, and a more grating record than their second album, but a good place to start in case you're looking to reacquaint yourself.

DL

Ultracoit - Sex Church

 

Label: Rejuvenation / Gabu / Day Off / Ocinatas Industries / Bruisson / A Tant Rever Du Roi

Year: 2014

As much as I wanted this to be some Spinal Tap styled cock rock homage to the pleasures of flesh, I imagine there is more staying power in it instead being an extremely ugly slab of Parisian noise rock filth. Everything straining to outdo everything else, the bass is continuous subsurface detonation, the drums are a din of bluster, the guitars are create rolling cascades of distorted roar, only to wedge themselves apart and restart again. The vocals appear to be multi-headed with two, maybe three(?), voices all competing to say something the loudest. 

I can only assume that what they are yelling about it perverse and obscene. 

I mean, they are wearing leather masks and skimpy under-draws whilst doing it, so...what else am I supposed to think?

Even as a prude, I very much enjoy this. Gets me feeling a certain way in my "bikini parts" (it gives me a boner...my penis achieves an erect state...that's what I mean).

I'm pretty sure there are still copied available if you want to gross out your kids with the cover art (they gotta learn some day)

DL 

Drugs Of Faith - Architectural Failures

 

Label: Malokul

Year: 2013

If the unrelenting punishment of grindcore leaves you feeling a bit...ground up. May we humbly suggest the "grind-n-roll" stylings of Drugs Of Faith? They can drop the hammer and go 1000mph, but they are just as comfortable easing off the blasts and settling into mid-tempo contemporary hardcore speed. Which, I suppose, could be considered the "roll" in their descriptor.

Personally, I appreciate that they fuck around with different speeds and styles in order to make things more interesting. It's more interesting. If you're interested.

This is a four song 12" that I think runs a pretty perfect fourteen minutes or so. 

It will come as little surprise that Drugs Of Faith co-main member Richard "Grindfather" Johnson was in Agoraphobic Nosebleed for a time (as well as Enemy Soil), because you can hear some of that band's massive whallop here (and this record was mastered by Scott Hull, so there's that too). It's burly and loud, and that's sorta "what we do" here. Which is why it's here, and we are here talking about it. 

Physical copies are still available here

DL 

Barkmarket - Peacekeeper

 

Label: Man's Ruin

Year: 1995

Look, the thing is, Barkmarket were an incredible band. I'm not going to fight with you about how and why that is the case, but it is. I think you know it, but either way, I just said it, and by saying it, then it is as much a fact as anything. And honestly, I have neither the time nor inclination to explain why the preceding is true, but at this point in our relationship it's sorta like, "what right do you have to question me?". You know?

But here's the more important thing; the song "Peacekeeper" is the best song Barkmarket ever recorded, and here it is. They recorded a lot of great songs...album's worth, and the other 2.5 songs on this 12"ep are also fantastic (I say 2.5 instead of 3, because even though there are 4 tracks on the record, the second track is a brief reworking [remix!] of the third track. 'The Brass Ring', so I only count it as a half song), but 'Peacekeeper' is pretty much everything you're gonna want in a good song. 

Don't believe me?

DL

V/A - New Breed - The Tape Compilation

Year: 2011
Label: Wardance / Lush Life

Originally released in 1989 by Freddy Alva (Wardance Records) and Chaka Malik (Burn) as a cassette compilation (hence the name), as the inaugural release for their Urban Styles imprint and as a compliment to issue three of Freddy's Urban Styles fanzine, this record has since been re released as an 8-track (timely), a CD, and as a double lp, which is what I have. More recently (2016) a documentary was released on the compilation, and more specifically the sub-scene it covered upon its release. Pretty sure you can find it on Youtube. It's worth your time if you've ever been a fan of NYHC.

This particular compilation filled a similar niche as the "NY Hardcore Where The Wild Things Are", and the "Look At All The Children Now" compilations did, which is to shine a light on the NYHC bands that weren't on Revelation Records, and maybe weren't getting much play outside of Lismar Lounge. And while, yeah, Sick Of It All and Judge and all those bands were incredible, for my money Absolution, Collapse, and Life's Blood are just as good. A bit more raw, a bit more ferocious, a bit darker, and every bit as vital.

The bands:

Absolution - A band that's tough to beat, and that for my money was the transition from classic stomping NYHC to grooving Quicksand post-hardcore. There's a slight skip on the song...sorry, but it's part of the record.

Life's Blood - If Absolution are tough to beat, Life's Blood are the one band here that does it. They are the pinnacle of what makes this style of music so vital. You get live versions of some of their gnarliest here, including the bonus tracks at the end of the album. But for some reason, there's an extra track listed ('Stick To It') that isn't actually on the record.

Outburst - Their 7" is one of my all time favorites, and on this compilation you get earlier, more raw versions of a couple of those songs, plus a live rendition of 'Controlled'. 

Our Gang - Super to-the-point scratchy attack. Had dudes that went on to Go!, Hell No, Born Against, Serpico, Citizen's Arrest, and a million more bands.

Collapse - This band should have been the biggest ever. Total punishment, that fits really well right in between the fractured pulse of Absolution (two members were in both bands) and the scum fuck attack of Life's Blood. Plus, the dude who plays bass in the damn Deftones plays bass in Collapse. Weird world.

Pressure Release - The closest thing to Youth Crew that you'll find on this compilation, but appropriately more feral and unhinged than Bold ever was. 

Breakdown - Steamroller hardcore that if you squint hard enough you'd swear is where Infest got their ideas from. 

True Colors - This was two of the dudes from Our Gang, and I believe this is the only song they ever released. Drayl Kahan, later of Citizen's Arrest is in the mix too. Frenzied shit.

Show Of Force - This band was Outburst and Breakdown guys with a couple of friends knocking out a couple demos worth of moshy grime, and managing one track for this album. 

Direct Approach - No frills, meat and potatoes NYHC. Never the headliners, always the opener.

Raw Deal - Legends. Before changing their name to Killing Time, they were demolishing audiences with some of the most brutal, metal-tinged, gut punches. Top tier shit. 

ABomb-A-Nation - Imagine a more primitive 7 Seconds mixed with Token Entry, and that's kinda these guys. But not as good as either.

Beyond - Underrated nutters who were doing their best to give hardcore a kick in the pants, only to find "success" once they split and got into bigger bands (Bold, Burn, Quicksand, 108, Inside Out, and 1.6 Band [well...maybe not that much bigger]).

Direct - Pretty certain these two songs on here are all they ever released, and they are live and raw as fuck. One of the guys was in Beyond, and one went on to play drums in Orange 9MM. These are good songs though...would love to have heard a 7" by this band.

Uppercut - Raging assault that rubs shoulders with Breakdown, Raw Deal, Sheer Terror, and Maximum Penalty. Mean shit. Members from Side By Side, Gorilla Biscuits, Bloodline(!), Judge, Alone In A Crowd, and Electric Frankenstein, among others. Professional types.

Fit Of Anger - Standard issue gruff dude style hardcore. Surprising? Should not be.

Discipline - Between this song and their track on Voice Of The Voiceless, this band came and went. But, for the hardcore archeologists out there, this band marks the first appearance of Danny Diablo, and features Gus SxE, who would next put out one 7" with his band Ocean Of Mercy that I, frankly, love. So there.

Bad Trip -I'm a big Bad Trip fan, and dig their bouncy style that never devolved any sort of funk or funk adjacent bullshit. It was just charging good hardcore. 

Under Pressure - Another band that just a a couple cassette demos and then disappeared. But the track they have here is a solid bruiser that may not be breaking any new ground, but they certainly sound like they would enjoy breaking your jaw.

Stand Proud - See above, but maybe scratch the part about them wanting to punch you in the face, and instead maybe they would ask, "hey, are we in tune?", to which you would say, "No, no you are not.".

All For One - I used to have this band's 7", but I cannot find it, which means I sold it (doubtful, as I am more of a hoarder than a wheeler dealer), lost it (also doubtful), or someone grabbed it (more likely). The vocals are the make or break proposition with this band, they are the proverbial "acquired taste".

DL