Wednesday, August 26, 2020
Friday, August 21, 2020
Surgery - Feedback / Fried
Tuesday, August 18, 2020
Man Matters - Man Matters
Label: self released
Year: 2020
Quarantine does strange things to people. The isolation, the tedium, the heavy blanket of boredom thrown atop much needed expression...it's not been easy. Stranger than usual anyway. Maybe some of you were fucked up to begin with, and this year has been a welcome reprieve from "normal social expectations"? I don't really know you, and that's probably a good thing. On both ends. Wouldn't you agree?
For Londoner Dave Wortrich, quarantine has given him the gift to experiment with "shitty beats" and craft some demented post-pig-fuck noise. So, for that, we should be grateful. Or at least, I think that's the word. Man Matters has Dave and one of his buddies warping some pretty ugly Men's Recovery Project inspired turbulence, that sounds like the kind of thing you might get if you staged a tug-of-war match between the Skin Graft Records roster and the Riot Season roster, and had the GSL Records roster refereeing. They are "songs", but they are songs that throb and pierce and skitter about. So, not "songs" that your mother would ever commit to memory, more like songs found on the hard drive of a serial killer's computer. Which, should be taken as a compliment (cause...you're mom is a terrible barometer...and she's fat).
Cover has been censored to keep me out of Facebook jail, not because I don't enjoy the beauty of a flaccid dong or anything. Cause, I do. Ask around.
DL
Friday, August 14, 2020
Shellac - Live In Tokyo
Label: Nux Label
Year: 1994Thursday, August 13, 2020
V/A - WMBR Presents: Clear The Room!
Friday, August 7, 2020
Urge Overkill - Now That's The Barclords
Label: Sub Pop
Year: 1991
A little audio sorbet from our usual fare? I don't know, maybe. I was never a big fan of urge Overkill, and this particular two song 7" (the May 1991 Sub Pop Singles Club installment) is the only representation of their output in my collection, so I'm far from an expert. But I do dig these songs, especially the B-side, "What's This Generation Coming To?".
By all accounts the band changed with the success of their major label debut and the hit "Sister Havana", which would come out a couple years after these songs, and they maybe dicked over Touch And Go in the process. I don't know.
It's a sunny Friday afternoon where I am, so this one is doing alright by me. See if it do you.