Friday, June 16, 2017

Cable - Northern Failures

Label: Hydra Head
Year: 2001

The album that Cable released prior to this one, 'Gutter Queen' is a minor classic in the destructo-rock pantheon (and let's not forget the album that preceded THAT one, 'Variable Speed Drive', a noisy punch in the Adam's Apple in it's own right). So, this follow up had some pretty big shoes to fill, and by getting Steve Austin to record the thing (and scream along here and there), well, that's a pretty good start. And then to double down on the "been drinking since 1:00pm on account of getting pink slipped today at work, but fuck it, that job blew anyway...want a shot?"staggering swagger, I like that approach too.
The riffs get a little more southern fried, but the animosity is still on overkill. This band for real knows how to drive home a point, and usually that point is some derivation of "fuck off", or 'life is hard'. Speaks to me.
Somehow this record seems even more warped than what they had been doing, and definitely separated them from the Botch's and Deadguy's of the world, although you can still hear some of their history as a hardcore band, but now with added thick 16 heft. Cable took a nose dive into a self loathing stew of damaged, cascading, sludgy bile. The resulting listen, though, comes across as  exhilarating, not oppressive. It has enough swing that the groove keeps you on the up and up. Even when you're up and up above rotting prospects and a diseased future. But you're up there...for now.


Saturday, June 3, 2017

Danzig - The Power Of The Dark Side

Label: bootleg
Year: 1994

Look, Danzig rules super hard, and if you think otherwise, you're just being obstinate and you can go eat shit accordingly. House rules.
With that out of the way, here's a super random bootleg that for whatever reason collects a couple songs from three different shows; the first in 1993 somewhere in the "U.S." (assuming that means United States, but still researching), and somewhere pretty big based on the audience response, the second group of songs are from 1989 in Los Angeles, and rip to the exact specifications you would expect of that vintage, while the last songs are from Buffalo, NY in 1994 and are of the worst sound quality.
But, like I said, Danzig rules super hard, so it's fine. You can have 17 songs and 3 of them be different versions of 'Mother'. Not an issue when, as previously stated, Danzig rules super hard, so don't sweat it.
Nothing bites like I do.

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