Kinghorse doesn't belong on this blog, they belong over on CGB, but ("let's talk about your big but" - Pee Wee Herman), if you take a closer look, a case can be made for their appearance here and now.
David Pajo, you know him right? He played in a bunch of Louisville (and beyond) bands like, Papa M, Aerial, Tortoise, Matmos, The For Carnation, Royal Trux, Stereolab, Dead Child, Zwan, The Palace Brothers, King Kong, and Slint. Dude belongs here based on that resume right? Okay. Then look way back into the past and see that David Pajo was in a band called Maurice with ex-Squirrel Bait member Britt Walford, ex-Slint member Brian Mcmahan, and two future members of Kinghorse, Sean Garrison (vocals) and Mike Bucayu (bass). So, we're making a connection right?
Maurice didn't last very long at all, and the members split off into two bands, one of them being Slint, one of them being Kinghorse.
Kinghorse sounds nothing like the bands mentioned earlier in this post. Kinghorse sounds like Danzig, later Corrosion Of Conformity, Saint Vitus, Motorhead, Crawlpappy, you know, shit like that. Rocking shit.
Kinghorse will divide you from your friends. They will form a line in the sand between those who love it and those who hate it (most folks). They are a strange phenomena that occurred during a strange time in a strange place. Some people really respond to that, and others...well...others like Slint a lot. I suppose it depends on your threshold for un-ironic metal.
So, if you made it this far, I should tell you this record contains demos for an unreleased follow-up to their Caroline Records self titled release in 1992, and demos from their first session in 1988. Pure gold.
Here's a quote from the Louisville Courier-Journal; "